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THAT is a wonderful real-time example of why no one really gets this film. On the one hand, in WKRR, you have one of the most tightly controlled Hollywood productions of all time, with none other than Robert Zemeckis, an A-lister, at the helm. We may never know all the details of what happened during the shooting of WKRR -- one of my favourites, by the way -- but from history, we can safely draw two reliable conclusions. Second, regardless of the first conclusion, no one in Hollywood was particularly interested in doing a sequel, and this is a town where, if someone's wedding footage looks especially promising, at least two agents will immediately start discussing "sequel." Which brings back to COOL WORLD. Honestly, you have to wonder if any of the suits had ever seen FRITZ before they greenlighted this deal? Look, folks, Bakshi is the real deal, a creative genius who never seeks results, only possibilities.
While I could list dozens of obvious "differences" between the two productions, I will list only one, and then rest my case. I totally love COOL WORLD, but I love it for the completely opposite reasons I love WKRR. If you are fortunate enough to see this film more than once, and really watch the animation taking place in the corners of the frame -- not in the foreground!
See full summary » When cartoonist Jack Deebs was behind bars, he found escape by creating "Cool World", a cartoon series featuring a voluptuous femme fatale named Holli Would.
But the cartoonist becomes a prisoner of his own fantasies when Holli transports Jack into Cool World with a scheme to seduce him and bring herself to life.
The first instance takes place midway through the titular song (which you can watch a clip of above and see pictures of below), when a male couple kisses.
The next few feature at least two female couples and occur in a group shot after Marco realizes his best friend has run off.
A hard-boiled detective--the only other human in Cool World--cautions Jack with the law: Noids (humans) don't have sex with doodles (cartoons).
However, the flesh proves weaker than ink as Holli takes human form in Las Vegas, staring in a trans-universal chase that threatens the destruction of both worlds.
The show was created by Daron Nefcy, making her only the second woman to create an animated Disney show.
was met with a massively positive response online as well, with coverage in “Teen Vogue”, “Mashable”, “Huff Post” and many other outlets.
While the short film doesn’t have an official release date yet, it is currently making the festival circuit.
Ultimately, we made this film because it was something we wish we could have had when we were it would get so much attention so soon!
We launched a Kickstarter in November and even the response to that was mind blowing.
It leads to normalization, understanding and ultimately, (self)acceptance.